There are many aspects of music that make different songs unique. Some stand out more than others to different people. What stands out to you and makes you like certain songs or certain types of song more than others?
For me, the top two things are rhythm and instrumentation. I enjoy unique and irregular measures, and often try to count the beats in my head. Sometimes the whole song is written in a somewhat irregular measure (like 7/8 or 9/8 - that extra half beat holds my attention), sometimes only part of the song is, and sometimes it switches between a few different measures in quick succession.
Here's an example of a song entirely in 5/4 (or 10/8, or 3/4+2/4, who knows?). The downbeats are on 1, 4, 7, 9 (that splits the measure into 3-3-2-2), which is interesting especially on guitar. (play air guitar for a second - DOWN up down UP down up DOWN up DOWN up...).
[video=youtube;csxp77KAdU4]http://www.youtube.com/watch?v=csxp77KAdU4[/video]
Here's one (link) in 9/4 which actually sounds like two 4/4 measures connected by half a beat. (one-and-two-and-three-and-four-and-a-one-and-two-and-three-and-four-and-a...) This one's interesting because there are two ways to listen to it - the 9/4 way and the 4/4+1/8 way. With the latter, you get that extra hop between 4/4 sections which keeps you on your toes. With the former, the second set of four notes occurs on upbeats.
Kernoon's Fire is the best of both worlds - the song is mostly in 7/8 but frequently intersperses a 4/8 measure (or a 11/8 measure). It also has great instrumentation! Unfortunately I can't find a good video of it so you'll have to settle with this cover...
[video=youtube;ST59oEVgNv0]http://www.youtube.com/watch?v=ST59oEVgNv0[/video]
If you don't mind a 10-minute song, this one goes through several interesting rhythms. One section has one instrument playing in 6/8 and at the same time another in 7/8. Another section, despite being entirely in 3/4, is interesting because in some measures the notes are on beats 1-3-2-1, which sounds like three 2/4 measures instead of two 3/4 measures. This song is also a great example of instrumentation. The strings, the winds, the -whatever that thing is-, the percussion at the end... they all work together so well and trade off the melody. Even the ambiance adds tons of depth to this piece.
For a prime example of instrumentation, we take an unexpected turn to MapleStory:
[video=youtube;Vwn3_L3hyqY]http://www.youtube.com/watch?v=Vwn3_L3hyqY[/video]
I also enjoy good harmony (e.g. The Beatles and a lot of Japanese music), and looking at voice in particular, I value intonation and timbre. I generally prefer soft "breathy" voice. *Obligatory Hitomi vid incoming*
[video=youtube;iEDeLrR3XAk]http://www.youtube.com/watch?v=iEDeLrR3XAk[/video]
For me, the top two things are rhythm and instrumentation. I enjoy unique and irregular measures, and often try to count the beats in my head. Sometimes the whole song is written in a somewhat irregular measure (like 7/8 or 9/8 - that extra half beat holds my attention), sometimes only part of the song is, and sometimes it switches between a few different measures in quick succession.
Here's an example of a song entirely in 5/4 (or 10/8, or 3/4+2/4, who knows?). The downbeats are on 1, 4, 7, 9 (that splits the measure into 3-3-2-2), which is interesting especially on guitar. (play air guitar for a second - DOWN up down UP down up DOWN up DOWN up...).
[video=youtube;csxp77KAdU4]http://www.youtube.com/watch?v=csxp77KAdU4[/video]
Here's one (link) in 9/4 which actually sounds like two 4/4 measures connected by half a beat. (one-and-two-and-three-and-four-and-a-one-and-two-and-three-and-four-and-a...) This one's interesting because there are two ways to listen to it - the 9/4 way and the 4/4+1/8 way. With the latter, you get that extra hop between 4/4 sections which keeps you on your toes. With the former, the second set of four notes occurs on upbeats.
Kernoon's Fire is the best of both worlds - the song is mostly in 7/8 but frequently intersperses a 4/8 measure (or a 11/8 measure). It also has great instrumentation! Unfortunately I can't find a good video of it so you'll have to settle with this cover...
[video=youtube;ST59oEVgNv0]http://www.youtube.com/watch?v=ST59oEVgNv0[/video]
If you don't mind a 10-minute song, this one goes through several interesting rhythms. One section has one instrument playing in 6/8 and at the same time another in 7/8. Another section, despite being entirely in 3/4, is interesting because in some measures the notes are on beats 1-3-2-1, which sounds like three 2/4 measures instead of two 3/4 measures. This song is also a great example of instrumentation. The strings, the winds, the -whatever that thing is-, the percussion at the end... they all work together so well and trade off the melody. Even the ambiance adds tons of depth to this piece.
For a prime example of instrumentation, we take an unexpected turn to MapleStory:
[video=youtube;Vwn3_L3hyqY]http://www.youtube.com/watch?v=Vwn3_L3hyqY[/video]
I also enjoy good harmony (e.g. The Beatles and a lot of Japanese music), and looking at voice in particular, I value intonation and timbre. I generally prefer soft "breathy" voice. *Obligatory Hitomi vid incoming*
[video=youtube;iEDeLrR3XAk]http://www.youtube.com/watch?v=iEDeLrR3XAk[/video]